The Nash family -- who lives just outside Dallas -- called the cops, but tell us officers never confiscated the whip, and wouldn't talk to the young boy directly without his dad present. When Dee decided to take matters into his own hands, and talk to the boy's dad, the man pulled a gun and fired a shot, leading to his arrest.
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You don't actually need a script to display a basic dialog box from whiptail. In this example, you'll declare and then call a variable. The variable is merely a message of some sort that will be acknowledged with an OK button. No choices are offered, and no navigation is used.
The 8 and 39 values define the size of the dialog box. If you are following along in your own lab environment, replace 39 with 10, save your changes, and rerun the whiptail code. You will see that the dialog box is too small to be useful. Use the Tab key to select Cancel, and then set the size value back to 39 from 10.
The whip pan is just one of many types of camera movements in film. Here's a complete breakdown of each type along with their storytelling values and how they have contributed to some iconic moments in cinema history.
One of the more popular uses of the whip pan as a cut or transition is in travel vlogs and social media videos. These video and the filmmakers have used the whip cut as mortar for videos with little narrative application.
Solomon Northup was born a free man in Minerva, New York, in 1808. His father, Mintus, was originally enslaved to the Northup family from Rhode Island, but he was freed after the family moved to New York. As a young man, Northup helped his father with farming chores and worked as a raftsman on the waterways of upstate New York. He married Anne Hampton and they had three children together. During the 1830s, Northup became locally renowned as an excellent fiddle-player. In 1841, two men offered Northup generous wages to join a traveling musical show, but soon after he accepted, they drugged him and sold him into slavery. After years of bondage, he came into contact with an outspoken abolitionist from Canada, who sent letters to notify Northup's family of his whereabouts. An official state agent was sent to Louisiana to reclaim Northup. After he was freed, Northup filed kidnapping charges against the men who had defrauded him, but the lengthy trial that followed was ultimately dropped because of legal technicalities, and he received no remuneration. Little is known about Northup's life after the trial, but he is believed to have died in 1863.
Northup is sold to the notorious Washington-based slave trader James H. Burch, who brutally whips him for protesting that he is a free man. While in the slave pen, he makes the acquaintance of several other slaves, including Eliza, whose sad history he relates in detail (pp. 50-54). The slaves are handcuffed and transported together via cars and steamboats to Richmond and then to New Orleans. He is delivered to Theophilus Freeman, a New Orleans slave trader who informs Northup that his new name is "Platt" (p. 75). Northup is purchased by a Baptist preacher named William Ford, and is put to work stacking and chopping logs at Ford's lumber mill. Realizing that Ford ships his lumber by land at great expense, Northup devises a set of rafts to deliver them by canal, greatly increasing Ford's profits.
Despite (or perhaps because of) his value as a laborer and de facto engineer, Northup is sold in the winter of 1842 to John Tibeats, a "quick-tempered" carpenter to whom Ford had become indebted (p. 103). When Tibeats attempts to whip Northup for a dubious offense, Northup fights back, and with his foot on the master's neck, he whips Tibeats "until my right arm ached" (p. 111). Later, when he attacks Northup with a hatchet, the slave again bests the master, and this time he flees from the plantation, chased by hounds. Northup escapes by running and swimming through the "Great Pacoudrie Swamp," evading water moccasins and alligators (p. 139). He makes his way back to Ford's plantation, where he is protected from harm.
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