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In 2000, in a vote of more than 200,000 music fans and journalists, The Bends was named the second-greatest album of all time behind Revolver (1966) by the Beatles.[86] Q readers voted it the second-best album in 1998 and 2006, behind OK Computer.[87][88] It was included in the 2005 book 1001 Albums You Must Hear Before You Die.[89] Rolling Stone placed it at number 110 on its original 2003 list of the 500 Greatest Albums of All Time, at 111 in its 2012 list,[90] and at 276 in its 2020 list.[91] In 2006, it reached number 10 in a worldwide poll of the great albums organised by British Hit Singles & Albums and NME.[92] Paste named it the 11th greatest album of the 1990s.[93] In 2020, the Independent named it the best album of 1995, writing: \"Downbeat, melancholic, yet wonderfully melodic and uplifting ... The Bends stood apart from Britpop and everything else in the storied year of 1995.\"[94] In 2017, Pitchfork named The Bends the third-greatest Britpop album, writing that its \"epic portrayal of drift and disenchantment secures its reluctant spot in Britpop's pantheon\".[19]
On the review aggregate site Metacritic, In Rainbows earned a rating of 88 out of 100, based on 42 reviews, indicating \"universal acclaim\".[121] Various reviewers, such as The Guardian's Alexis Petridis, attributed the album's quality to Radiohead's performance in the studio and that the band sounded like they were enjoying themselves.[125] Others, such as Billboard's Jonathan Cohen, commended the album for not being overshadowed by its marketing hype.[132] Andy Kellman of AllMusic wrote that In Rainbows \"will hopefully be remembered as Radiohead's most stimulating synthesis of accessible songs and abstract sounds, rather than their first pick-your-price download\".[122]
The NME described the album as \"Radiohead reconnecting with their human sides, realising you [can] embrace pop melodies and proper instruments while still sounding like paranoid androids ... This [is] otherworldly music, alright.\"[133] Will Hermes, writing in Entertainment Weekly, called In Rainbows \"the gentlest, prettiest Radiohead set yet\" and stated that it \"uses the full musical and emotional spectra to conjure breathtaking beauty\".[124] Rob Sheffield of Rolling Stone praised its \"vividly collaborative sonic touches\" and concluded: \"No wasted moments, no weak tracks: just primo Radiohead.\"[129] In 2011, The Rolling Stone Album Guide described it as Radiohead's \"most expansive and seductive album, possibly their all-time high\".[134] 153554b96e
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